There is a wealth of information available online about the life and work of D.H. Lawrence. Here are some useful links:

D H Lawrence resources at The University of Nottingham.
click here>>


D.H. Lawrence and his hometown of Eastwood.
click here>>
click here>>



D.H. Lawrence the poet.
click here>>


The D.H. Lawrence Review.
click here>>


The D.H. Lawrence Society of North America.

click here>>

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The Mint Theater is not responsible for the content of external internet sites.

 
     
  On behalf of the Mint Theater Company board of trustees, staff and the artists who make the work, I’m extremely pleased and honored to accept this special Drama Desk award. I’d like to express my deep gratitude to the Drama Desk for recognizing the value of our work (with a special thanks to Ed Karem for that lovely introduction.) To receive special recognition just for doing what we do is so gratifying and such a great honor. Thank you so much.

I’d especially like to thank the members of the nominating committee for making room in your very demanding schedules to attend our productions. I think I have some idea of how much ground you nominators have to cover and frankly, I’m honored by the fact that you each have chosen to come and see our work at all, up on the fifth floor of an office building in a cozy 82 seat theater. I’m doubly honored to see just how seriously you consider our productions—as evidenced by this recognition and the much-deserved nomination in the Outstanding Director category for my very talented colleague Carl Forsman who directed The Voice of the Turtle.

I have to express my heartfelt gratitude to our press rep. David Gersten, who is, of course, the person who deserves the credit for making sure that the Drama Desk is paying attention to our work and attending our productions. In addition to being a terrific press agent, David has been a great friend and collaborator. David has always believed in the value of the work we’re doing at the Mint, even when my own faith has flagged, and David has always made sure that our story gets communicated to the press with the same sense of passion and commitment that we put into making the work.

I’d also like to take a moment to express my gratitude and appreciation to Jeni Mahoney, who is the associate director of the Mint. Jeni has played an invaluable role at the Mint over the last three years, weighing in on virtually every decision that I’ve made with clear thinking, critical insight and creative authority. And she’s done it all invisibly, allowing me to receive all the credit and forever enduring the widespread misperception that I do this all by myself, whichis emphatically not the case.

Finally, because I have this rare opportunity to talk about what we do at the Mint in this room filled with people that I admire and respect, I’d like to take a very brief moment and explain how this whole thing came about. I never set out with the idea of rescuing lost plays from oblivion, you know. All I ever really wanted to do was to tell good dramatic stories. I ended up at the library reading lots of old plays that I’d never heard of before. Well, I found what I was looking for, and, lo and behold, it turns out I’m not the only one who finds this interesting, which is tremendously gratifying. Thanks to the Drama Desk for offering this wonderfully encouraging acknowledgement.


 
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